MUSIC

Why Freddie Mercury Wanted To Stop One of Queen’s Most Iconic Guitar Solos

May 20th, 2026

Unarguably, Freddie Mercury was the most exciting thing about Queen. Though every member brought their unique, invaluable talent to the table, it was Mercury’s direction that focused them into the era-defining group they were.

So, when it comes to Mercury’s opinion, we can’t really disagree. But, if we had to, there was one instance in which he tried to remove an iconic guitar solo from one of the band’s biggest songs. If that had come to pass, it would’ve been a massive misstep in the band’s career. Find out which guitar solo Mercury tried to kill below.

The Queen Guitar Solo Freddie Mercury Tried To Stop

According to Brian May, one of his key solos in the band’s history was almost cut by their enigmatic frontman. The guitarist once said that Mercury saw “Don’t Stop Me Now” as a piano song, and nothing more. As we all know, that didn’t end up being the case.

“Freddie envisioned it very much as a piano song, akin to Elton John, really,” May once said. “[He heard] powerhouse piano, powerhouse vocal, and that’s it. I played lots of rhythm guitar on it, and Freddie still said, ‘No, no, no, no — it’s a piano song!’”

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The beginning of this song does start out that way. Mercury pounds on a piano while his skyrocketing vocals draw the listener in. As the verses go on, Mercury ceded and let May have some room to play. They ended up with a legendary guitar solo, befitting the song’s unmatched energy.

“Being in the studio and hearing it evolve, I could sort of hear the solo in my head before I actually picked up the guitar to do it,” May continued. “As very often with me, it’s a kind of little diversion. It’s a countermelody.”

“It’s very simple,” he added. “I sometimes feel a bit apologetic about it. But I do notice that when it’s played in the dancehall, it gets a reaction from people in the solo, and it steps up the energy quite a bit, even from a song that’s got high energy, so I’m happy with it the way it is.”

Queen fans are also happy with the way that it is, easily being one of May’s most beloved bits of work. Revisit the guitar solo that almost didn’t make it in “Don’t Stop Me Now” above.

Curated By

Ricardo Vega
Investigative Street Correspondent | Immersion Journalism Producer | Underground Culture Documentarian
Ricardo Vega is an independent, boots-on-the-ground journalist who dives headfirst into the stories that mainstream outlets ignore. From derelict urban ruins and underground music scenes to extreme sports fringes and the overlooked edges of city life, he lives the stories he tells. With a Gonzo spirit and a Rolodex packed with street artists, underground athletes, indie musicians, and everyday voices rarely heard on network news, Ricardo delivers raw, immersive reporting that gets its hands dirty and its pulse racing. Ricardo doesn’t observe from a distance—he embeds, experiences, and brings back the unfiltered truth with authentic voices and gritty perspective. Fiercely independent in his politics and approach, Ricardo chases the real heartbeat of subcultures and forgotten places, where the sanitized narratives of corporate media never reach.
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