SPACE

William Anders, astronaut who took the famous ‘Earthrise’ photo, dies at 90

June 9th, 2024

William A. Anders, the astronaut behind perhaps the single most iconic photo of our planet, has died at the age of 90.

On Friday morning, Anders was piloting a small plane that dove into the water near Roche Harbor, Washington. His son Greg confirmed his death.

Anders retired from the Air Force Reserve as a major general but was a major at the time of the Apollo 8 mission in 1968. Apollo 8 was the first manned mission to orbit the moon, which also made Anders one of the first people to leave the bounds of Earth’s orbit.

On Christmas Eve, all three Apollo crew members took photos of Earth as it rose over the moon’s horizon, but Anders was the only one shooting on color film. The ship’s onboard tape recorder captured the astronaut exclaiming, “Oh my God, look at that picture over there!

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There’s the Earth comin’ up. Wow, is that pretty!”

The resulting photograph, titled “Earthrise,” captured Earth’s loneliness and fragility in a way that no image ever had before. It was particularly iconic to the nascent environmental movement — 50 years later, Earth Day Network president Kathleen Rogers wrote that photo “confirmed” the movement’s conviction “that the Earth’s environment was common to all of us, that the Earth’s natural resources were finite, and that 150 years of unfettered industrial development was having a profound impact on our planet.”

In an interview conducted in 2015, Anders noted that his photo seemed better remembered than the Apollo 8 mission itself.

“Here we came all the way to the moon to discover Earth,” he said.

Curated By

Maya Gupta
Investigative Journalist | Grassroots Movement Organizer | Economy Consultant/Speaker
Maya Gupta writes from the fault lines of a world that refuses to stay quiet. Focused on the collisions between culture, power, and accountability, her work cuts past polished narratives to expose what’s really moving beneath the surface. From the rise of creator-driven influence to athlete activism and grassroots resistance, she tracks the momentum shaping a generation unwilling to wait its turn. Her reporting doesn’t cater to comfort, it confronts it, challenging institutions that lean on legacy instead of legitimacy. With a voice rooted in urgency and a lens tuned to those often ignored, Maya delivers coverage that reflects the stakes as they are, not as they’re packaged. This is journalism that doesn’t just observe change, it stands in the middle of it, documenting the push, the backlash, and the undeniable shift underway.

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