MUSIC

Charlie Watts Recalls How Led Zeppelin Changed The Rolling Stones Career

October 12th, 2022

During his long career with The Rolling Stones, late-drummer Charlie Watts probably played more stadiums concerts than theater or barroom gigs, but that wasn't necessarily Charlie's dream.

When Charlie joined the Stones in 1963, stadiums were only used for sports; theaters, bars and clubs were where music was played.

The Beatles began to change that in 1965 when they sold out a concert at Shea Stadium in Queens, New York. But it wasn't until the following decade when Led Zeppelin took off that 'stadium rock' or 'arena rock' became genres of entertainment.

The Rolling Stones have never been allergic to money, and the band seized the opportunity to begin playing stadiums. Charlie, however, as is revealed in his official biography, Charlie's Good Tonight, by Paul Sexton, longed for the days of smaller venues, more intimate performances and, in particular, shorter sets.

"You'd be playing a month in a town to play to 30,000 people," Watts recalled in one section of the book (via Billboard). "Where would you play, in a 3,000-seater hall?"

The move to arenas/stadiums, of course, allowed the Stones to "accommodate" more fans in a single night. "And that's what we've become," Watts continued. "It's our own fault, or pleasure, of whatever you call it.

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That's how we've directed what we do. That's how the world of doing what we do has gone."

But stadium shows also necessitated longer gigs. A two-hour show, as has become the standard for such an event, is a far cry from what the Stones were doing when they started out.

"I blame Led Zeppelin for the two hour-long show... we jumped in a few years from doing 20 minutes, all the hits and off — the Apollo Revue, we'll call it — we went from doing club dates, which are two sets a night, which was great fun... to doing, thanks to Led Zeppelin, this two-hour long show."

He added that Led Zeppelin's virtuoso presentation went a long way towards filling the time. But people don't go see The Rolling Stones for solos; they want hits and plenty of them.

"If you're Jimmy Page, you can do that, and [John] Bonham's 20-minute drum solo. It wasn't about that with us; it was a different thing. I don't like doing drum solos, period."

Curated By

Ricardo Vega
Investigative Street Correspondent | Immersion Journalism Producer | Underground Culture Documentarian
Ricardo Vega is an independent, boots-on-the-ground journalist who dives headfirst into the stories that mainstream outlets ignore. From derelict urban ruins and underground music scenes to extreme sports fringes and the overlooked edges of city life, he lives the stories he tells. With a Gonzo spirit and a Rolodex packed with street artists, underground athletes, indie musicians, and everyday voices rarely heard on network news, Ricardo delivers raw, immersive reporting that gets its hands dirty and its pulse racing. Ricardo doesn’t observe from a distance—he embeds, experiences, and brings back the unfiltered truth with authentic voices and gritty perspective. Fiercely independent in his politics and approach, Ricardo chases the real heartbeat of subcultures and forgotten places, where the sanitized narratives of corporate media never reach.

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