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Beating Heart Of Rome: This Is What The Roman Forum Was Like

January 29th, 2022

The Roman Forum was once the beating heart of the powerful and resilient Roman Empire. It was the nerve center of the known world. Today, it is one of modern Rome's major attractions. But what one is greeted with today is but a shadow of what it was once and it can be hard to get an understanding of what it looked like in its heyday.

Located next to the Colosseum one will find many more ruins of ancient Rome that really tell the story of the ancient Eternal City. Visiting the Roman Forum is a central piece of any weekend itinerary while in Rome. What did the Roman Forum look like?

What Was The Roman Forum?
It was the center of daily life in Rome, it was where one would hear criminal trials, see triumphal processions, where people would give public speeches, see gladiatorial matches, where elections were held, and more.

The citizens of ancient Rome referred to it as the Forum Magnum or just as the Forum and was originally a marketplace.

The forum was filled with monuments and statues of some of the Eternal city's greatest men. Some have even claimed that the Forum was the most celebrated meeting place in the world.

It was here that one would have found many of Rome's grandest monuments and temples.

The Forum In Imperial Times

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The final form for the Forum was completed by Augustus. He constructed the Temple of Divus Iulius and the Arch of Augustus.

During early Imperial times, much of the economic activity moved out to Trajan's Forum. In Trajan's Forum was much larger and more extravagant Basilica Ulpia.

A significant expansion of the Forum came under the reign of Constantine the Great with the completion of the construction of the Basilica of Maxentius. The Basilica was the largest building in the Forum and the last Roman basilica built in the city. It had the effect of resorting much of political focus to the Forum up until the fall of the Western Roman Empire.

Notable Buildings In The Forum Today
According to Lonely Planet, some of the more significant buildings (or ruins of the buildings) that one can see today are:

Arch of Septimius Severus: Added in 203 AD.

Temple Of Saturn: Built 467 BC, Rebuilt In The 1st Century BC, An Important Temple That Doubled As The State Treasury.

Arch Of Titus: Built AD 81 To Celebrate The Roman Defeat of the Jews In AD 70 with the Sack Of Jerusalem - Said to Be The Inspiration For Arc de Triomphe in Paris.

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The Curia: The Meeting Place of the Roman Senate.

The Curia Julia is the third named senate house of Rome. It was built in 44 BC by Julius Caesar but completed by Augustus in 29 BC. Today it is one of only a handful of Roman structures that continue to survive mostly intact. It was saved and restored through the ages due to its conversion into the basilica of Sant' Adriano al Foro in the 7th century.

The Roman Forum Today
Following the fall of Rome, the Forum fell into disrepair, and eventually, it was used once again as pasture land. Unfortunately, over the centuries much of its stone and marble was repurposed for other projects around the city.

Today the ruins of the Roman Forum are impressive - but equally confusing. It is well worth taking a reconstruction of what the Forum used to look like so that one can know what one is actually looking at.

It may be helpful to get a guide to really bring these ruins of what was once truly impressive back to life.

It is strange to think that the once-bustling center of Rome was originally a marshy burial ground. One is just met with a sprawling ruin of architectural fragments. While the ruins may be impressive, they do little to bring to life what the Forum once was.

Curated By

Ricardo Vega
Investigative Street Correspondent | Immersion Journalism Producer | Underground Culture Documentarian
Ricardo Vega is an independent, boots-on-the-ground journalist who dives headfirst into the stories that mainstream outlets ignore. From derelict urban ruins and underground music scenes to extreme sports fringes and the overlooked edges of city life, he lives the stories he tells. With a Gonzo spirit and a Rolodex packed with street artists, underground athletes, indie musicians, and everyday voices rarely heard on network news, Ricardo delivers raw, immersive reporting that gets its hands dirty and its pulse racing. Ricardo doesn’t observe from a distance—he embeds, experiences, and brings back the unfiltered truth with authentic voices and gritty perspective. Fiercely independent in his politics and approach, Ricardo chases the real heartbeat of subcultures and forgotten places, where the sanitized narratives of corporate media never reach.

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